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Katalogabbildung Aufbrüche. Abbrüche. Umbrüche.

Aufbrüche. Abbrüche. Umbrüche. Kunst in Ost-Berlin 1985 – 1995

Stiftung Kunstforum Berliner Volksbank
25 August ‒ 11 December 2022

Museum Nikolaikirche and Museum Ephraim-Palais
16 September ‒ 11 December 2022

From late summer 2022, the Stiftung Kunstforum Berliner Volksbank, together with the Stiftung Stadtmuseum Berlin, is showed the exhibition Aufbrüche. Abbrüche. Umbrüche. Kunst in Ost-Berlin 1985‒1995. Both institutions are featuring not only an exciting decade in art but two important art collections in Berlin at the same time. Using examples by 57 artists from the extensive Kunstsammlung der Berliner Volksbank and the inventory of the Stadtmuseum Berlin’s (Berlin City Museum) art collections, the presentation looks back at the lively and diverse art scene in East Berlin before and after the changes brought about by the fall of the Berlin Wall. The exhibition can be viewed at three locations: at the Stiftung Kunstforum Berliner Volksbank in Charlottenburg and at two venues of the Stiftung Stadtmuseum Berlin in Mitte, the Museum Nikolaikirche (St. Nicholas’ Church Museum) and the Museum Ephraim-Palais.

Paintings, graphics, sculptures and photographs by some 25 artists will be exhibited at the Stiftung Kunstforum Berliner Volksbank. The current art collection (Kunstsammlung der Berliner Volksbank), which comprised works by both West and East Berlin artists and contemporary art from the German Democratic Republic (GDR) even before the Wall came down, started in the mid-1980s. Art of the 1980s and 1990s provides a special focus in this context.

The exhibition on Kaiserdamm traces the origins of this one-of-a-kind collection of figurative art, combining exhibits from past and current acquisitions and loans from the Stiftung Stadtmuseum Berlin. Showcasing nearly 50 works, the exhibition evocatively documents artists’ reflections on a contradictory and eventful decade, new beginnings as well as innovative approaches by women artists.

An extensive catalogue and filmed interviews accompany the exhibition project. In talks, painters Sabine Herrmann, Klaus Killisch and Sabine Peuckert, sculptor Berndt Wilde, photographer Maria Sewcz, draftswoman Uta Hünniger, and graphic artist Manfred Butzmann, recall their experiences before and after the fall of the Berlin Wall in 1989.

Artists exhibited at the Stiftung Kunstforum Berliner Volksbank include:
Tina Bara, Annemirl Bauer, Rolf Händler, Sylvia Hagen, Angela Hampel, Sabine Herrmann, Uta Hünniger, Ingeborg Hunzinger, Konrad Knebel, Walter Libuda, Werner Liebmann, Harald Metzkes, Helga Paris, Wolfgang Peuker, Cornelia Schleime, Baldur Schönfelder, Anna Franziska Schwarzbach, Heinrich Tessmer, Hans Ticha, Ulla Walter, Berndt Wilde.

Exhibition film Aufbrüche. Abbrüche. Umbrüche. Kunst in Ost-Berlin 1985 — 1995

01:05:40 minutes © Stiftung KUNSTFORUM der Berliner Volksbank gGmbH and Stiftung Stadtmuseum Berlin.

Interview with Sabine Peuckert
00:00:00 till 00:08:18 Minute
Interview with Manfred Butzmann
00:08:19 till 00:19:20 Minute
Interview with Sabine Herrmann and Klaus Killisch
00:19:21 till 00:30:26 Minute
Interview with Berndt Wilde
00:30:27 till 00:42:08 Minute
Interview with Uta Hünniger
00:42:09 till 00:54:05 Minute
Interview with Maria Sewcz
00:54:06 till 01:05:40 Minute

A film to the exhibition Aufbrüche. Abbrüche. Umbrüche. Kunst in Ost-Berlin 1985 — 1995 made by Stiftung KUNTFORUM der Berliner Volksbank gGmbH and the Stiftung Stadtmuseum Berlin with interviews of various artists (with English subtitles)
Production: art/beats, 2022
Duration: 01:05:40 minutes

Group exhibition with works from the Kunstsammlung der Berliner Volksbank and the Sammlung Haupt »Dreißig Silberlinge – Kunst und Geld« as well as other lenders

17 February – 19 June 2022

In this exhibition, the Stiftung Kunstforum Berliner Volksbank addressed the subject of money in art.

The avenues that artists explore when dealing with money in their art are creative, highly imaginative, and multifaceted. Their approaches range from artistic treatment of banknotes and coins to works of provocation. Some artists examine contradictions between material and ideal value, while others turn to conceptual assessments of social and sociopolitical aspects related to this theme.
Aesthetic means are used to question the “value” of money in our society: How important is money to each one of us? Can you escape your own economic significance? Can art ever be free? To what extent are artists themselves caught in the cogs of securing their existence and affected by increases in value and market power?
A recurring artistic focus is a critique of capitalism, but also the complex relationships between art and commerce. The symbolism of American dollar bills, which are typically associated with the USA as a monetary superpower, has been broken down and recontextualized by artists such as Anne Jud and Andy Warhol.
In the years following the political reunification of Germany, an artist’s group in Berlin’s Prenzlauer Berg district established a new currency called “Knochengeld” (bone money). In this project, some 53 international and Berlin based artists dealt with the profound social change experienced in the early 1990s, brought about by adopting a market economy in the wake of monetary union and reunification.
Following the introduction of the euro around ten years later, artists used shredded DM (Deutsche Mark) notes as materials for the most diverse works. This treatment of now worthless banknotes provided an opportunity to reflect on the value of the material and the fragility of the monetary system.
Some artistic explorations took up the subject of “gold” ‒ for instance, in works by Helge Leiberg, Albrecht Fersch and Michael Müller. Other artists, including Horst Hussel, created imaginary art currencies.

Horst Hussel 1/2 Bouff, Habana-Namatanai, 1991 (aus der Mappe: Das Währungssystem der Räterepublik Mekelenburg, Blatt 19), 1992-98/2010 Kupfertiefdruck auf Bütten 30 x 21 cm Kunstsammlung der Berliner Volksbank K 1323, Werkfoto: Peter Adamik, © VG Bild-Kunst, Bonn, 2022
Helge Leiberg, Goldregen, 1994, Acryl auf Leinwand, 100 x 80 cm, Kunstsammlung der Berliner Volksbank K891, Werkfoto: Peter Adamik, © VG Bild-Kunst, Bonn, 2022

The art market and the values of art as merchandise and speculative assets are also addressed as a central theme. Ultimately, the NFT (non-fungible token) art trend forces us to rethink the significance and uniqueness of digital objects.
The exhibition CASH on the Wall presents paintings, objects, sculptures, prints, collages, photographs, installations and videos. The exhibits are from the Kunstsammlung der Berliner Volksbank and the Sammlung Haupt »Dreißig Silberlinge – Kunst und Geld«, as well as other lenders.

Artists whose works are on view include: Katharina Arndt, Joseph Beuys, Bewegung NURR, Victor Bonato, Dadara, Annett Deppe, WP Eberhard Eggers, Thomas Eller, Elmgreen & Dragset, Albrecht Fersch, Ueli Fuchser, Hannah Heer, Markus Huemer, Uta Hünniger, Horst Hussel, Robert Jelinek, Anne Jud, Vollrad Kutscher, Alicja Kwade, Christin Lahr, Helge Leiberg, Via Lewandowsky, Lies Maculan, Laurent Mignonneau, Lee Mingwei, Michael Müller, Roland Nicolaus, Wolfgang Nieblich, Ingrid Pitzer, Anahita Razmi, Werner Schmiedel, Michael Schoenholtz, Reiner Schwarz, Justine Smith, Christa Sommerer, Gerd Sonntag, Daniel Spoerri, Klaus Staeck, Hans Ticha, Timm Ulrichs, Philipp Valenta, Petrus Wandrey, Andy Warhol, Caroline Weihrauch, Vadim Zakharov.